As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
I wrote
(Re)constructing Memory, Place, and Identity in Twentieth Century Houston: A Memoir on Family and Being Mexican American in Space City USA
Villasenor’s Rain of Gold is the first of a trilogy about his family's migration to the United States in the early part of the 20th Century.
Published in 1991, I was fascinated by the book’s rich detail, the numerous layers of stories about his family regarding their life in Mexico, their decision to leave, the challenges they faced finding work and struggling to fit into the United States.
The book covers his parents’ lives as children and the trials their families faced in surviving the Mexican Revolution. His parents meet when they are very young and eventually move to Carlsbad, California. Villasenor’s trilogy highlights the importance of family and personal integrity. I was especially intrigued that the author was able to transform his familial history into a work of literature.
This is the Hispanic Roots, an all-American story of poverty, immigration, struggle and success. It focuses on three generations of Villaseñor's kin, their spiritual and cultural roots in Mexico, their immigration to California and their overcoming the poverty, prejudice and economic exploitation. It is the warm-hearted, humorous and tragic, true story of the wily, wary, persevering forebears of Villaseñor.
I read The Brick People when it was first published in 1988.
At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.
The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.
Morales shows how history from the ground up is manifested in people’s lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.
This engrosing historical novel traces the growth of California from the nineteenth to the twentieth centuries by following in the development of the Simons Brick Factory. With an attention to historical reality blended with myth and legend, the prolific Morales recounts the epic struggle of a people to forge their destiny, along with Califonia's.
Grande’s memoir focuses on her life south and north of the U.S.-Mexico border, which seem like two distinct lives, though neither is easy.
Her life in Mexico is marked by longing for her father who migrates northward to better support his family. Her mother eventually joins her father, and the three children are left with a harsh and insensitive paternal grandmother. When her mother returns because her father has fallen in love with someone else, Reyna’s hopes for a happy family reunion are shattered.
Eventually, Reyna’s father visits and takes her to the US following a perilous journey through the desert. Reyna struggles to adjust to life in the US, but eventually is awarded citizenship. She finds refuge in reading and writing and eventually tells her family story.
I found Grande’s memoir moving because she writes it from a child's perspective and successfully captures the raw and fragile emotions of her younger self. In doing so, she offers readers invaluable insight into the experiences of those whose lives are often flattened out as they are represented in debates about immigration policy.
In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border.
Reyna Grande vividly brings to life her tumultuous early years in this "compelling...unvarnished, resonant" (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to "El Otro Lado" (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced…
The Devil’s Highway is the 2001 story of the tragedy that befell 26 men and boys from Veracruz who cross the Mexico/Arizona border led by human smugglers who get lost on a stretch of desert known as the Devil's Highway.
Urrea is known for his direct and clear reportage style of writing. As he depicts what happened to these men seeking a chance at the American Dream, Urrea does not lose sight of the broken system of immigration, the border patrol, the smugglers or the criminal enterprise of which they are part.
The actual walk and the deadly mistakes made by their “guide” are not shared until Part Three of the book. Through the recollections of walkers and creative non-fiction he recreates dialogue that captures the motives and dreams of these ill-fated men.
A widely-praised piece of investigative reporting examining the journey of 26 men who in May 2001 attempted to cross the Mexican border into the desert of Southern Arizona through the region known as the Devil's Highway. So harsh and desolate that even the Border Patrol is afraid to travel through it, the Highway has claimed the lives of countless men and women - in May 2001 it claimed 14 more. History of high acclaim from the author of The Hummingbird's Daughter.
Enrique’s Journey follows a 17-year-old boy from Honduras who migrates to the US in search of his mother who has been gone for 11 years. Although he is in touch with her via sporadic phone calls, his yearning to be with her is so deep that he undertakes a journey that is at once desperate, full of love and hope, and exceedingly dangerous.
The author, an award-winning journalist, documents Enrique’s journey to survive his trek northward that he undertakes with absolutely no money from a small Honduran village through Mexico atop freight trains, and his efforts to survive not only the dangerous train ride but the violence of those who prey on young migrants.
Though he does find his mother in North Carolina, his reunion is not easy as his resentment at being left behind plagues their relationship.
An astonishing story that puts a human face on the ongoing debate about immigration reform in the United States, now updated with a new Epilogue and Afterword, photos of Enrique and his family, an author interview, and more—the definitive edition of a classic of contemporary America
Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, this page-turner about the power of family is a popular text in classrooms and a touchstone for communities across the country to engage in meaningful discussions about this essential American subject.
For the Mendoza-Martinez family, the answer to this question is complicated and evolving. In this fascinating memoir, authorLouis Mendoza tells his family’s story over three generations, exploring the ongoing efforts to negotiate intense racialization in Texas. Examining questions of community, belonging and home, migrancy, and social strata, the book considers the interconnectedness of ethnic identity and place through the lens of lived experience. Mendoza considers Houston as a 20th-century Latino metropolis and the impact Mexican Americans had in building the city. Building on previous books on Mexican Americans in Houston, he uses history, archival records, oral history, and creative non-fiction to explicitly addresses the challenges of constructing—or reconstructing—a multi-generational family narrative when the traditional resources of family archives are limited.
I come by my interest in history and the years before, during, and after the Second World War honestly. For one thing, both my father and my father-in-law served as pilots in the war, my father a P-38 pilot in North Africa and my father-in-law a B-17 bomber pilot in England. Their histories connect me with a period I think we can still almost reach with our fingertips and one that has had a momentous impact on our lives today. I have taken that interest and passion to discover and write true life stories of the war—focusing on the untold and unheard stories often of the “Average Joe.”
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on any other single day of the war.
The narrative of No Average Day proceeds hour by hour and incident by incident while focusing its attention on ordinary individuals—clerks, radio operators, cooks, sailors, machinist mates, riflemen, and pilots and their air crews. All were men who chose to serve their country and soon found themselves in a terrifying and otherworldly place.
No Average Day reveals the vastness of the war as it reaches past the beaches in…
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on December 7, 1941, when the Japanese attacked Pearl Harbor, or on June 6, 1944, when the Allies stormed the beaches of Normandy, or on any other single day of the war. In its telling of the events of October 24, No Average Day proceeds hour by hour and incident by incident. The book begins with Army Private First-Class Paul Miller's pre-dawn demise in the Sendai #6B Japanese prisoner of war camp. It concludes with the death…
